Monday, August 25, 2014
August (and summer!) is winding down quickly here. For some of us it's almost time to go back to school and whatnot...but let's instead distract ourselves with one of my favourite chord-less saxophone trios, We Three featuring Dave Liebman on tenor saxophone, Steve Swallow on electric bass and the ever loose and swinging Adam Nussbaum on drums, performing Thelonious Monk's "Played Twice"":
I really admire the way Adam is always going back and clearly referencing the melody while he solos, all while dancing around the groove with Swallow. While he's also capable of playing ALOT of drums, he's also not afraid to leave a bit of space, letting the music breath and really have a chance to develop. These guys are ALL ears ALL the time! A great example to follow.
Monday, August 18, 2014
Monday, August 11, 2014
Looking for some great summertime viewing? Thanks to the kind people over at Vic Firth here's Daniel Glass and his informative 17 part series (!) on the history and evolution of the drumset to check out:
Also, check out this cool poster showing a timeline of the evolution of the drumset instrument:
Monday, August 4, 2014
Well, summer is about half way over now and things keep on moving along. I'm happy to report that I've made some significant progress on my doctoral dissertation and I hope to have that completed by summer's end. I love playing the drums but I had no idea that at one point in my life I would spend so much time reading and writing about them! Anyways, the end is nearly in sight and I've learned a great deal while researching and writing this project.
Even though we're well into summer hours over here at FOTF, here's a few things making the rounds around the office to share with you today:
- Former Modern Drummer magazine managing editor Scott K. Fish is now blogging over at Beyond The Cymbals:
Pay attention to his writing. Scott has interviewed A LOT of great drummers over the years!
- Vinnie Sperrazza is also now blogging over at his website Drummer et Cetera. Check out this article on why he uses traditional grip:
The debate of whether or not to use traditional grip or traditional vs. matched grip can be a very tense and opinionated subject indeed. I fully relate to, agree with and endorse all the statements in Sperrazza's article.
- Todd Bishop over at his fine blog Cruiseship Drummer has a nice interview with the recently deceased Frankie Dunlop worth checking out here: (originally from the pages of Modern Drummer)
And of course, here's some great solo footage of Dunlop with Thelonious Monk:
During my graduate studies at McGill University my drum teacher, Andre White, had me listen to and transcribe Dunlop's soloing and comping extensively. He was a very unique drummer that fit Monk's concept perfectly and it's worth spending some time studying his style.
- From Manitoba Music's "Loft Sessions" here's Winnipeg's up-and-coming Curtis Nowosad with his band:
Curtis is currently completing his graduate work at the Manhattan School of Music. Be sure to keep an eye and ear out for him in the year's to come.
- Nicholas Payton is also blogging and voicing his opinions over his website. Check out this amazing post "Masters of Funky New Orleans Drumming Vol.1" in which he has compiled some seriously important and funky music to learn from:
- Thanks to Saskatoon Jazz educator Nick Fanner who passed along this article by reedman Scott Robinson, an articulate statement on how the state our society is becoming stale and predictable:
- Thanks to David Stanoch via the Facebook, here's some great Jeff Hamilton lessons to check out:
- Jeff Ballard recently toured Canada and the world with his trio featuring Lionel Louke and Miguel Zenon. I heard them at the Edmonton Jazz Festival and they sounded phenomenal. Here's Jeff in a brief Q&A interview from the Vancouver Jazz Festival:
- I can definitely relate to this one, seeing as I have been spending a lot of time at a desk recently, trying to write and get some work done...
- What am I listening to these days?
Bela Bartok "Concerto for Orchestra"
Craig Brenan "Automatic Robots" - Ted Poor (drums)
Joni Mitchell "Both Sides Now" - Peter Erskine (drums)
Clifford Brown "Clifford Brown and Strings" - Max Roach (drums)
Duke Ellington "Ellington Uptown" - Louie Bellson (drums)
Johnathan Blake "Gone, But Not Forgotten" - Johnathan Blake (drums)
Phil Dwyer "Saxophone Summit" - Terry Clarke (drums)
Nat King Cole Trio "Live at the Circle Room"
Paul Read Quintet with Scott Robinson "The Heart of Summer" - Barry Elmes (drums)
- And today's Last Word goes to George Sluppick, via his blog, on the recent passing of drumming great Idris Muhammad:
And another nice piece on Idris Muhammad via nola.com:
I only heard Idris live once, at New York's Birdland around the fall of the year 2000, in a band featuring Tom Harrell, Donald Harrison, Gary Bartz, Junior Mance and Dennis Irwin. They were playing a tribute to Charlie Parker and I was astounded at Muhammad's effortless swing and deep, loose groove. When you listened to him play you could literally hear the entire tradition of New Orleans drumming take shape with so many diverse influences, all swinging like mad. And course, wearing his trademark dark sunglasses and beret, cocked to the side, there was no doubt at all as to who the coolest man in the room was that night!
And here's another one from Joe Lovano, a man who knows and appreciates a good drummer when he sees one!
Monday, July 28, 2014
Monday, July 21, 2014
Here's some great, up close action footage of my friend and mentor, Matt Wilson performing with the late, great Charlie Haden and his Liberation Music Orchestra:
It's always a lesson to watch a Master in action but, in particular, check out how much fun Mr. Wilson is having playing the drums with Charlie.
You can also find some great tributes to Haden as well over at Ethan Iverson's find blog, Do The Math:
Here are Matt's touching words of praise and tribute to his friend, Charlie Haden:
"When my wife Felicia and I found out we were having triplets my dear friend and mentor Dewey Redman urged me to call Charlie for support. I recall saying, " Hello Charlie, this is Matt Wilson. and I need to talk to you, but not about music. My wife and I are having triplets." He said, "Wow, man, that is great, man. I am on another call I'll be right back."And he was. We talked for over an hour. It was a beautiful conversation and his words of support were encouraging. Charlie has a son, Josh, and triplet daughters Petra, Tanya and Rachel. I have a daughter, Audrey, and triplet sons Max, Henry and Ethan. 8 kids, 4 ages.We called ourselves the Fathers of Triplets Rhythm Team.
The first time I played with Charlie was in the fall of 2003. We played a concert in San Francisco with Dewey and Joshua Redman. I recall, from the very first beat, how buoyant and comfortable the time felt. Charlie's walking feel seem to purr. It was strong but patient and the shape of his sound embraced the cymbal melody like a big warm hug. It was heaven to play sounds with him. I was thrilled when he phoned and asked me to play in the Liberation Music Orchestra not long after that gig. We rehearsed and started the tour at the Montreal Jazz Festival in the summer of 2004. Also in Montreal, I was honored to play with Charlie and Dewey Redman in a trio concert. I had been playing with Dewey since 1994 and to be included in this setting was a career highlight. They even had me do the set list. I can recall saying out loud to myself in between tunes, "I am really here. This is not a dream. This is UNBELIEVABLE!" There is a bootleg of it out there somewhere that I would love to have.
The Liberation Music Orchestra experience was special. The arrangements by Carla Bley were extraordinary and the members of the band not only blended musically but personally. We were a real family and the memories of music and fellowship will always be dear to me. I remember playing a rock club with the band in Los Angeles. During a solo I had in the middle of a "America the Beautiful" I strapped on the snare drum and marched the audience out onto the sidewalk in front of the club and then back inside. As I returned I thought to myself, "This could very well be my last night with the band." I sat back down and turned back to look at Charlie with a bit of apprehension. He was smiling and gave me an approving thumbs up along with, "Wooo, Matt Wilson. Yeah man!"
My daughter Audrey really loved Charlie. They really connected after she first met him. Charlie and his wife Ruth, who were always very kind to Felicia, me and the children, invited me to bring the kids to see a screening of the documentary about Charlie, Ramblin' Boy, at the Walter Reade Theater. This was not long after Felicia was diagnosed with leukemia so I brought Audrey and Ethan to the the theater as a distraction. The film was fantastic and we enjoyed it immensely. While watching, Audrey, who was 12 at the time, counted how many times in the film Charlie said, "Man." After the film and discussion we went up to say hello to Charlie and Ruth and thank them for the invitation. Charlie saw Audrey and greeted her with, " Hi Audrey, nice to see you man." Audrey replied, "Hi Charlie, it is nice to see you."She then quickly whispered in my ear, "Number 39."Priceless.
I loved talking on the phone with Charlie and tried to do so on regular basis. I remember him playing mixes of the LMO recording, Not In Our Name, over the phone. Charlie always had a good joke to two to share along with political discussions.
The last time I spoke with him was on June 16 the day after my wife Felicia lost her battle with leukemia. It was brief. His voice was weak but his words were strong.
Charlie Haden - "I love you man! " I am eternally grateful for the amazing fun we had on the bandstand, the road and on the telephone. Your deep spirit, love and compassion will forever be a part of my musical presence."
- Matt Wilson, from "Do The Math"